artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
poem, and PhD stuff )

I may have to delve into the census records to be sure, but I do now feel I have enough to be going on to start setting the text.

In Gaelic.

Ah...

About that.

I don't think this will actually be a huge problem for the choir that is premiering the work: this performance is happening in Aberdeen, some members of the choir have definitely sung Gaelic before, and so on.

But I don't have the first idea of what I'm doing in setting it, and that's not so good. And it might give hiccoughs to future choirs.

I need:
-A guide to Scottish Gaelic pronunciation that I'm allowed to reproduce in the musical score, which I will eventually want to release under CC by-SA
-A recording of someone who speaks Scottish Gaelic reading this poem, slowly and clearly A friend will do this for me tonight, yay!
-very soon (I am already hideously behind on this project).
artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
I still haven't worked out what to do with poems that I want to set, but don't want to set right now: either because my plate is full and I need to shift some backlog, or because they aren't yet in the public domain but probably will be within my lifetime.

For example, today I happened across Student Taper by James Stephens. It won't be public domain until 2020 (given no change in law and the crick don't rise). I want to be reminded of it in mid-2019.

Is there an easy way to do this? I could start a free wordpress blog and schedule posts far into the future, but then I risk breaking copyright myself if I'm posting them, say, six months before they actually pass into the public domain.

Suggestions welcome.

Text issues

Jan. 5th, 2017 06:03 pm
artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
I spent a good bit of yesterday, and almost all my working time today, reading poetry.

I am looking for something for a Canadian composing competition. There are a few this year, because of the 150th birthday celebrations, and they tend to be open to Canadian citizens/permanent residents: this is a rather smaller pool of entrants than some competitions have, so it feels more important to enter.

But, well. What's an appropriate text? These aren't sacred choirs or competitions for the most part, so something secular would be good; yet, I'd still like it to feel transcendent enough that I relate to it as I might relate to a sacred text. I'm not much of a patriot and I'm uncomfortable with nationalism, but something Canadian-themed seems like a good idea. But I also don't feel I can do justice to anything touching on the genocidal colonialism that is part of Canada's history and still results in serious oppression for First Nations people today; nor do I want to pretend that didn't happen by only focusing on aspects of Canadian history that are seen more positively.

So, then, a text on a nice safe topic by a Canadian author seems in order. Great! But most of the good stuff isn't in the public domain; and what is in the public domain has failed to grab me, so far. I can't tell whether that's because it's doggerel, or whether it's simply that I've read so much that everything seems like mush now.

I could use some of my grandmother's poetry. I've not previously found it easy to get an official-sounding signed permission form from my father regarding the copyright; the closest is an e-mail along the lines of "Of course you can use any of Gramma's poetry, dear" which... won't really cut it. I can probably ask him to just sign something if I can come up with some wording, but the likelihood of managing that before this particular deadline is low. I also don't speak enough legalese to know where to start with this; and if I then want to release the music itself under a Creative Commons license, which is my preferred practice, it gets even more complicated.

So, I'm probably going to have a bash at setting one of my own poems. I'll need to make some changes to the language: nobody in Canada talks about a terraced house, really. And it feels very, very vulnerable, setting this poem, which is about a real person in my life. Also, it's a bit of a sod to set: a lot of sudden contrasts between the fantasy and reality sections, and wordy in places, and with no real resolution. But I have been meaning to set it for quite some time.

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