artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
I won a composing competition which means I can now, I think, describe myself as an "award-winning" composer. (And I should send them some words about my piece, but what they've written there is actually a very good description, I think.)

Meanwhile, my viva voce (thesis defense thingy) is in a week. Aaaaaaaaaaaaaa.

Hmm.

Feb. 2nd, 2019 09:56 pm
artsyhonker: a girl with glasses and purple shoulder-length hair (Default)

"A text in Latin shall be used", I read, of a choral composition competition.

It turns out they are a bit more picky than that:

Only texts by the following Latin Authors will be accepted: Ovidio (Publius Ovidius Naso), Orazio (Quintus Horatius Flaccus), Virgilio (Publius Vergilius Maro), Catullo (Gaius Valerius Catullus), Marziale (Marcus Valerius Martialis), Lucrezio (Titus Lucretius Carus).

Being more a Christian sacred composer than anything else, and lacking a Classics background, I'm utterly unfamiliar with most of these. I understand Catullus is rather rude.

I suspect the pronunciation varies considerably from church Latin, too, though probably not so much that I can't set it well.

I feel a bit like this is a veiled attempt to filter out people who aren't posh enough, or haven't had the "right" educational background. I dislike those kinds of barriers to participation.

So: does anyone have any suggestions for me from those authors? Any passages you'd particularly like to hear me set to music?

artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
poem, and PhD stuff )

I may have to delve into the census records to be sure, but I do now feel I have enough to be going on to start setting the text.

In Gaelic.

Ah...

About that.

I don't think this will actually be a huge problem for the choir that is premiering the work: this performance is happening in Aberdeen, some members of the choir have definitely sung Gaelic before, and so on.

But I don't have the first idea of what I'm doing in setting it, and that's not so good. And it might give hiccoughs to future choirs.

I need:
-A guide to Scottish Gaelic pronunciation that I'm allowed to reproduce in the musical score, which I will eventually want to release under CC by-SA
-A recording of someone who speaks Scottish Gaelic reading this poem, slowly and clearly A friend will do this for me tonight, yay!
-very soon (I am already hideously behind on this project).
artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
I've had some problems with people not really understanding that, if they use my CC by-SA music, they do actually have to allow recordings. It's a delicate topic, but the basic problem is that they see "free" and assume that it means "free, and we can make all the usual assumptions about the performance rights of the singers" when what I mean is "free, but only if you restrict the performance rights of the singers for the good of ease of spreading of the work". There are good reasons for some choirs wanting to respect the performance rights of their singers, so I want to make it clear that a) no, I mean it, you gotta let people record this stuff if you're using it for free and b) if you can't or don't want to do that, you can talk to me and I'll decide whether other terms are acceptable. (What it will boil down to is whether they're paying the singers already, in most cases.)

So I'm thinking a revised footer on the music itself, saying something like:

This music is licensed under CC by-SA v 4.0 (or wevs), which means that you can download it, sing it and record it for free, but conditions apply: you must allow others to freely share the results of your work. For further details see [page on my website]. For a .pdf of this work e-mail [me].



Then, in reasonably forbidding letters in the inside cover:

This work is licensed under [etc]. This means that YOU MAY: share this music online, photocopy it, perform it, or make arrangements or recordings -- so long as you make it clear who composed the music and words. All of this is free, and needs no explicit permission from the composer.

However, YOU MUST: allow absolutely anyone to make a recording of your performance, allow others to photocopy your arrangements of this music, and so on. YOU MUST NOT release recordings with DRM or make any attempt to hamper access to this music or any derivatives of it.

If your choir requires control of recordings, for example because of contractual agreements with your singers, please contact the composer [at my e-mail address] to discuss other terms which permit this.

--

This is already with some editing advice from when I wrote about this before in a locked post, but other suggestions are welcome here.
artsyhonker: a girl with glasses and purple shoulder-length hair (Default)
I'm behind on admin in several areas. This is not exactly unusual for me -- I struggle to stay on top of admin at the best of times -- but I did have two stressful deadlines within a week of each other, and met them both, and as a result a bunch of other stuff has fallen by the wayside.

I was hoping, today, to get caught up on Cecilia's List music recommendations, and make headway into the data entry backlog. I was hoping to transcribe some hymns I've written recently, and get them online, so I can get paid. I was hoping to write rough drafts of some proper blog posts, and an issue of Passing Notes, and some e-mails that are now getting overdue enough it may not be worth sending them. I was hoping to tidy up a bit.

That was way too many things to hope for.

I did manage some errands, and one Cecilia's List post (scheduled for Saturday), and my brain has decided that what it absolutely, positively must do at the moment is compose a Nunc dimittis for SSA. (Or maybe it's unison trebles and organ accompanient. I can't tell yet.)

I think it's because it's Candlemas tomorrow.

But the main problem with a Nunc dimittis is that I then, realistically, will need to write a Magnificat to go with it, and I already have way too much composing on my to-do list as well.

I suppose it's a better problem to have than the problems I would had I missed the orchestral deadline or the tax return filing deadline.

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